For instance I love collecting these icon necklaces. Made from photographic images framed in hammered tin, they pack alot of pizazz for a very small price.
Made in South Africa, the photographs feature iconic images like the ubiquitous Lucky Star pilchard can labels in these earrings. (Lucky Star Pilchards are the South African artistic equivalent of Andy Warhol's Campbell Soup cans in the U.S.) Or these colorful shweshwe kanga cloth images adorning this necklace.
Nerson Mandela photographed by Jürgen Schadeberg |
My favorite pieces though feature the photographs of Jürgen Schadeberg, a South African photographer and artist. Jürgen Schadeberg was born in Berlin in 1931. In 1950, he moved to South Africa to rejoin his family and joined Drum magazine as official photographer and layout artist.
Schadeberg became a teacher and mentor to some of the most creative South African photographers of his time, like Bob Gosani, Ernest Cole and later Peter Magubane. As one of the few white photographers who photographed daily life among the black community, he became knowledgeable about black life and culture. As a result, he captured on film the beginnings of the freedom movement, the effects of apartheid and the vibrancy of township life.
Miriam Makema photographed by Jürgen Schadeberg |
Schadeberg
photographed many historic and pivotal events in the 1950s among them the
Defiance Campaign of 1952, the 1956 Treason Trial, the Sophiatown removals of
1955, the Sophiatown jazz and social scene, the Sharpeville funeral of 1960 and
pictures of Robben Island inmates. Some of the famous people he photographed
include Nelson Mandela, Walter Sisulu, Oliver Tambo, Trevor Huddleston and
Govan Mbeki. He also documented the Fifties jazz legends such as Dolly Rathebe,
Kippie Moeketsi, Thandi Klaasen and Miriam Makeba.
He was forced to leave South Africa in 1964 and went to London where he taught and curated photographic exhibitions, notably for the Whitechapel Art Gallery. In 1972, he returned to Africa where he accepted a position as photographer for Christian Aid in Botswana and Tanzania. In 1973 he travelled from Senegal and Mali to Kenya and Zaire to take photographs. In 1984, Schadeberg returned to South Africa. He continues to work as a photo-journalist as well as making documentaries about the black community.
He was forced to leave South Africa in 1964 and went to London where he taught and curated photographic exhibitions, notably for the Whitechapel Art Gallery. In 1972, he returned to Africa where he accepted a position as photographer for Christian Aid in Botswana and Tanzania. In 1973 he travelled from Senegal and Mali to Kenya and Zaire to take photographs. In 1984, Schadeberg returned to South Africa. He continues to work as a photo-journalist as well as making documentaries about the black community.
The photographs are not limited to only South African icons either. This necklace - which I like to wear on Cinco de Mayo and Dia de los Muertos - features the iconic Mexican artist Frida Kahlo.
photo from the African Queen Facebook page |
I cannot read the very tiny stamped maker's mark on the back of the necklaces so I can't give credit to the actual jewelry designer. But I bought them all at either Art Africa in Parkview or African Queen in Benmore. Oh, I have to find that Tretchikoff necklace!
PS I went back to Art Africa to buy some more necklaces for gifts and I found out the jewelry designer's name is Beverley Price. And you can special order!
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